Edward Henry Weston or Edward Weston was one of the most renowned and influential American photographers of the twentieth century. He was born on March 24, 1886, in Highland Park, Illinois. On Edward's sixteenth birthday, his father gifted him his first camera. This was the onset of Weston's love affair with photography.
As a beginner, he started clicking pictures in Chicago parks and his aunt's farm. In 1903, he exhibited at the Chicago Art Institute. Weston moved to California in 1906 to pursue a career in photography. He began by working as a door-to-door portrait photographer. For a formal training, he returned to Illinois in 1909 and attended the Illinois College of Photography. The same year, he married Flora May Chandler with whom he later had four sons. Weston opened his studio in 1911 in Tropico, California, where he operated until 1922. He was a huge success with his 'Pictorial Style Photography' and won many salon and professional awards. Edward even wrote a number of articles on the unconventional methods of portraiture for various magazines, like American Photography, Photo Era, and Photo Miniature.
An exhibition on Modern Art, in San Francisco World Fair, in 1915, greatly influenced Weston. He had grown restless with 'Pictorialism' and found it to be a mechanical manipulation of painting styles. He began experimenting with light, shadow, and soft focus. After meeting Alfred Stieglitz and Paul Strand, he was further convinced that photographs should record the true essence of the subject, dead or alive, living or non-living. On a visit to Ohio in 1922, he clicked some photographs of the Armco Steel Plant. These pictures mark his tilt from 'Pictorialism' to 'Straight Photography,' involving the emergence of a sharp focused style.
Anita Brenner's book "Idols behind Altars," published some of his photographs, which he clicked during his brief stint in Mexico in 1923, along with professional & romantic companion Tina Modetti, who later even posed nude for him. These photos, such as "Tina Reciting and Excused," showed his clear transition into 'Straight Photography.' In 1927, he made a series of monumental close ups for which he is best known. His subjects varied from the objects like seashells, vegetables (peppers and halved cabbages), landscapes, and nudes. Weston skillfully created sharp pictures, using a large format camera with a small aperture, capturing the real beauty of the subject. The photographer, along with his son Brett, opened up a new studio in San Francisco in 1928. Edward Weston became a co-founder of the f/64 group of 'Purist Photographers,' such as Ansel Adams and Willard Van Dyke, in 1932.
He was also the first recipient of the Guggenheim Fellowship for Photography in 1937. In 1938, the photographer married his assistant, Charis Wilson, with whom he has been living since 1934. In 1941, Weston provided illustrations for an edition of 'Whitman's Leaves of Grass.' His work started being hampered, as he was struck with Parkinson's disease in 1946. The same year he and Chris divorced. He took his last photos at Point Lobos in 1948. In 1952, his Fiftieth Anniversary Portfolio was published with his images printed by his son Brett. Edward Weston died in Carmel, California, on January 01, 1958.
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